‘At the first one, we had DJs in the foyer and people were jumping in to battle with the dancers. We took out seats to make more standing room and the noise was crazy’I was at the Queen Elizabeth Hall in London, performing my piece Aeroplane Man. Alistair Spalding had booked the show and said: “Hey, what else are you up to?” I said: “Look, I’m not the only person who does this kind of work, using hip-hop as a theatrical device. Let’s do a hip-hop theatre festival!” Then Alistair got his job as... Read this story
