After two decades creating pioneering exhibitions, the curator decided to publish a ‘sexy coffee table book’ bringing together work made for clubs and protests as much as galleriesGemma Rolls-Bentley still remembers the first time she saw work by a queer artist. She was in her early 20s and had just moved to London when she came across an exhibition of Catherine Opie’s black and white photographs at the Stephen Friedman Gallery. By this point, she had two art history degrees under her belt but... Read this story
