“Nobody knows anything.” William Goldman’s refrain in “Adventures in the Screen Trade,” his classic dissection of the movie business, has always held true for Broadway, but never more so than in a season in which long shots overshadowed safe bets. The Tony nominations, announced in New York on Tuesday morning, paint a portrait of another year of transition on Broadway. Artistic frustration with the status quo continues to bump up against unyielding economic realities. Yet the old producing... Read this story
