From an alligator ride across Asia to an escape to outer space, the Venice Biennale’s ‘foreigners everywhere’ theme leaves our critic beguiled, tantalised – and frequently appalledVenice. Terrible. Foreigners everywhere, and it is even worse during the biennale, where the exhibition opened to the public on Saturday. Marked by unrest and protests, the 60th Venice Biennale leaves us uncertain of art’s ability to draw us together in a world in crisis. It is filled with the clamour of conflicting... Read this story
