Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple of harvests in the filmmaker’s vineyard. On the eve of the mega-budgeted Megalopolis—$120 million is a lot of your own money to stake on any project, least of all one that has yet to secure... Read this story
