Pierre Huyghe’s uncanny machine-human hybrids in Venice are the latest attempt to find deeper meaning in a technology that leaves many creatives playing catch-upTwo people dressed in black are kneeling on the floor, so still that they must surely be in pain. If they are grimacing, there would be no way to know – their features are obscured by oversized, smooth gold masks, as though they have buried their faces in half an Easter egg.Their stillness makes them seem like sculptures, and only by... Read this story
