Macbeth’s climax rests on a witchy technicality that has always felt like it belongs more to 20th-century screenwriting than 17th-century drama: Its power-mad, prophecy-enabled protagonist, having already slain his king […] Read this story
Macbeth’s climax rests on a witchy technicality that has always felt like it belongs more to 20th-century screenwriting than 17th-century drama: Its power-mad, prophecy-enabled protagonist, having already slain his king […] Read this story
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