Donald Bogle’s “Toms, Coons, Mulattoes, Mammies, and Bucks” is considered the standard text on Black characters in American movies. But when the book was first published, in 1973, it was just about the only text on the subject. This might be hard to imagine today, when books about the intersection of race and cinema flow forth on a regular basis (among the strongest in recent years are Will Haygood’s “Colorization: One Hundred Years of Black Films in a White World” and Robin R. Means Coleman’s... Read this story
