The post-Avengers: Endgame career of directors Joe and Anthony Russo has been marked by uninspiring output (Cherry, The Gray Man, Citadel) and relentless futurism. Their stated goal has been to create brand-new, sprawling IP franchises and to get ahead of the curve regarding technologies that are changing cinema, to control the tech before the tech controls artists. That includes artificial intelligence (they’re on the board of some AI companies), “three-dimensional projectors that don’t require... Read this story
