When Lee Isaac Chung was announced as the director of the long-awaited sequel Twisters, many of us scratched our heads. Chung is, obviously, a talented filmmaker. His most recent film, Minari, had just come off multiple Oscar nominations including a win. But to go from that small, personal film to the big-budget sequel to a beloved, albeit admittedly dumb blockbuster seemed a little beneath him. In fact, it was the opposite. Twisters was a movie Chung had not only almost been born into but... Read this story
