Too bald, too mad, too red How royal portraits get it so wrong
The Guardian -

Jonathan Yeo’s divisive painting of the king raises the question of whether paintings of the monarchy have become irrelevant and anachronisiticWhy do reports always say that a portrait of someone great and good has been “unveiled”? The word is an empty metaphor that turns the first viewing into a ceremony; it also mystifies the entire procedure and makes it somewhat morbid.Portraits of kings, presidents, prime ministers and the like are effigies, meant to replace the mortal being. Once the...

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