Review: Two shows, sly or somewhat silly, subvert theatrical forms
Charleston City Paper -

It was a watershed event. Pardon the pun, but when Urinetown first hit the Broadway stage in 2001, it, well, opened the theatrical floodgates for a host of others to subvert the musical theater form. Think Avenue Q or The Book of Mormon. The wordplay-averse should be warned: It’s near impossible to resist it when […]

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