The celebrated US photographer’s haunting new series, documenting the locations where people have died in encounters with police, is a quietly devastating commemoration and a critique of modern American cultureIn their monochrome starkness, Diana Matar’s images of modern America possess a melancholic undertow that is both familiar and unsettling. Whether a deserted backroad fringed with sun-burnished grass in rural Texas or a single-storey liquor store in a sprawling Californian suburb, there is... Read this story
